This is the only picture of children from the National Archives section on the Densho Archive for the year of 1944. It seems as the climate of the country changed in their feelings toward Japanese Americans, the government felt it was less necessary to depict the inmates as enjoying normal lives. This picture is an example of Alinder’s argument when she claims that “what determines one’s interpretation of these photographs has less to do with the actual images than it does with the expectations brought to them and the viewer’s stake in a particular version of history” (16). This picture seems harmless enough with children playing outside. The image itself is not disturbing. The context of internment makes the photograph upsetting. With that in mind, details of the background become more visible, for example, the dilapidated building and the rows of barracks. Like Alinder suggests, this picture has to be understood in the context of interment, unforgettable with the background. This picture, like the others, serves a specific purpose to create the image the government wanted to show, and can only do so with children as its subject.